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Jean Chardin’s Visual Perception of Esfahan, Gestalt Pedagogy Approach

عنوان مقاله: Jean Chardin’s Visual Perception of Esfahan, Gestalt Pedagogy Approach
شناسه ملی مقاله: ARCUC01_007
منتشر شده در کنفرانس بین المللی دانشجویان معماری و شهرسازی ایران در سال 1401
مشخصات نویسندگان مقاله:

Gholamreza Tousian Shandiz - Assistant Professor, Payam Noor University,Tehran, Iran.
Majid Akhshabi - Assistant Professor, Payam Noor University,Tehran, Iran.
Majid Ahmadi - M.A. Art Research, Payam Noor University,Tehran, Iran.
Fariba ArvinNasab - M.A. Educational Planning, Azad University,Tehran.Iran.

خلاصه مقاله:
Gestalt pedagogy in visual perception interacts theoretically, philosophically, psychologically and practically with each other and with other perceptions.The most important factor in identifying any product is its shape. The explicit meaning of a product is its functional use and any object whose form refers to its use will be meaningful to the viewers. Recognizing the elements and making a message in the language of objects causes their effects in creating a relationship between form and functions and their meanings. However, one of the obvious differences between traditional art and modern art is that traditional art is inherently functional.In this article, the question is how decorative-architectural elements in traditional architecture can be found academically and functionally in designing of simplicity, continuity, figure and ground, proximity, similarity in squares such as Naqsh-e Jahan in Esfahan.

کلمات کلیدی:
Gestalt, Pedagogy, Architecture, Square, Jean Chardin, Visual Perception, Esfahan.

صفحه اختصاصی مقاله و دریافت فایل کامل: https://civilica.com/doc/1535317/