Davood Navabi Asl - Ma in Architecture, Department of Architecture, College of Engineering, Zahedan Branch,Islamic Azad University, Zahedan, Iran
Alireza Bavandian - PhD in Art Research, Department of Architecture, College of Engineering, Zahedan Branch, Islamic Azad University, Zahedan, Iran
Taghi Tavousi - PhD in Climatology, Department of Architecture, College of Engineering, Zahedan Branch,Islamic Azad University, Zahedan, Iran
Foroogh Ghaforian Khames Fard - Ma Student in Architecture, Department of Architecture, College of Engineering, Zahedan Branch,Islamic Azad University, Zahedan, Iran

Art in the twentieth century has been innovated and evolved more than previous centuries. So as in contemporary art, the artist's individual influence has surpassed the influence artist's work and the artist is the focus of attention, whereas in the old art, the artist's work was influential and also the artist's works were formed based on peoples tastes. But today, by focusing on the artist, people's tastes have been pushed aside and the artist's feeling has been emerged. Absence of art work in interior building creates contradiction with human who favors art. The created space should have artistic features or could place art works inside to the best of manifestation in order to be able to interact with cognitive ability of human. This point can also be insisted on that nature inventory of interior space is designed for human and without interior space; the building appears like a great statue. Art movements formed in recent decades have caused that new needs will be felt whether for displaying works in a particular environment or integrating the space and art work; in a wider environment, the created interior space can be looked at as an art work in the prevailing art movements.

Interior Architecture, Art Movements, Perception of Space, Contemporary Art, Architecture Styles