The Role of Virtual Theatre Components on Scenery Quality of Virtual Theatre using Austin Wang's Approach

Audience feedback in modern societies has fundamentally changed primarily due to developmentsin time and the process of replacing signs of virtual reality with reality has taken place. Moreover,there is an opportunity for a large number of audiences to be recognized and to actively engagewith a few limitations. Meanwhile, the designers of some countries, due to the lack of attention toenvironmental, security, social and economic considerations, which are considered the mostimportant aspects of using this function, have not been able to keep pace with the needs of theiraudience which resulted in diminishing this art. Therefore, the present article examines thefundamental changes and developments in security, economic and social methods of attracting andexperiencing augmented reality and the performance of cyberspace in order to develop theaterstage design, considering Austin Wang's works on the concept of place, its essentiality and time intheater. The research method is correlation, and statistical tests of Smirnov's Kolmograph, multipleregressions and Pearson correlation test were put to use so as to determine the relationship,intensity and direction of the relationship between independent and dependent variables. Theresults indicate that the "sense of helplessness" variable is the most effective variable on the virtualtheater stage, and then, the second priority is the independent variable "environmental fluidity" andthe third priority which is "color intensity" variable has the greatest impact on the scene. They havevirtual theater production, and finally the following fourth to tenth variables are based on similarpriority: "space scale and layout", "scene variety", "light quality", "imagination", "sound", "speedof movement" and "sense of innocence" which are necessary for the virtualization of the theaterstage.